|
Bokken Parts
- Tsuka
- handle of the bokken
- Kissaki
- tip of the bokken
- Tsuba
- handguard that is sometimes slipped over the bokken
top
Bokken Stances
- Seigan-no-kamae / Chudan-no-kamae
- Right hanmi with the bokken in both hands directly in
front and on the centerline of the body. Weight is centered
evenly over both feet and both hands are near the level of
your navel. The left hand is on the butt end of the bokken
about one fist width away from your body. The blade is
tilted slightly to the right to take advantage of the
natural curvature of the blade. The kissaki is at your
opponent's throat. Look directly to the front.
- Jodan-no-kamae
- Stand in right or left hanmi and raise your arms until
your left hand is in front of your forehead. Your hands are
above your eyes and your elbows are out to afford vision to
the front. The kissaki is directly above your head to
protect those behind you. Your weight is slightly forward.
- Gedan-no-kamae
- Lower the kissaki from chudan-no-kamae, but be ready to
raise it at any time. This provides an opening for your
opponent to attack. Be ready to step off the line of attack
by keeping your weight evenly distributed on both feet.
- Hasso-no-kamae
- Stand in left hanmi, eyes to the front, weight evenly
distributed. The bokken is raised vertically with the hands
at the levels of your left chest and left shoulder. The
tsubo is at the level of your mouth.
- Waki-no-kamae
- Left hanmi bokken lowered on the right hand side.
top
Bokken Suburi
- Shomenuchi
- The sword is raised overhead as you step back with the
right foot. The sword is brought down in exactly a vertical
line. Strike to the head with good focus then slowly subside
to chudan-no-kamae.
- Shomenuchi
- Same as above but slide step forward while striking.
Slide step back again after subsiding.
- Yokomenuchi
- Move the left foot off the line of attack. Do this for
both with the right foot stepping and without.
- Gyaku Yokomenuchi
- Kirigaeshi
- Alternate left and right yokomen
- Shomenuchi front and back
- Step forward strike pivot repeat
top
Bokken Tai Sabaki
- Shomenuchi
- Yokomenuchi
- Tsuki
top
Unarmed
defenses against bokken (tachidori)
- Shomenuchi kokyunage
- Shomenuchi kotegaeshi
- Shomenuchi tenkan kokunage
- Yokomenuchi shihonage
- Yokomenuchi ikkyo
- Tsuki
top
Bokken Forms (kengi)
First Aiki kengi
Facing north initially (n,s, etc. indicate ending direction)
- shomenuchi (n)
- step through and tsuki (n)
- pivot right 180° shomenuchi (s)
- tsuki with slide step (s)
- turn left 90° shomenuchi (e)
- tsuki with slide step (e)
- pivot right 180° shomenuchi (w)
- tsuki with slide step (w)
- turn left 45°, step through with left foot and
shomenuchi (se) then 180° pivot right (nw)
- shomenuchi, then pivot left 90° (ne)
- shomenuchi 180° pivot right (sw)
- shomenuchi (sw)
- keep bokken horizontal and turn to the right 495°. Then
step back with the right foot into jodan-no kamae, then step
back with left foot and raise bokken into seigan-no-kamae.
(n)
Aiki kengi #2
Originated by K. Tohei, refined by R. Kobayashi.
Facing north initially (n,s, etc. indicate ending direction)
- Slide off line of attack and raise bokken with U motion
(n)
- step through and strike opponent's right wrist (n)
- step through and strike opponent's left shoulder (n)
- step through and strike opponent's right shoulder (n)
- pivot right 180° shomenuchi to forehead (s)
- slide forward to thrust to opponent's throat (s)
- pivot right 180° shomenuchi to forehead (n)
- slide forward to thrust to opponent's throat (n)
- leap through, yokomenuchi to left side of opponent's
head, immediately turn 180° (s)
- repeat last step (n)
- bokken horizontal, thrust forward (n)
- step through and strike opponent's left shoulder (n)
- turn 180° to right then raise sword step back with right
foot. Then step back with leftfoot and return to seigan (n)
Aiki Kengi 3
by R. Kobayashi.
Facing north initially (n,s, etc. indicate ending direction)
- shomen (n)
- tsuki with slide step (n)
- reverse yokomen with step (n)
- 180° turn right strike shomen (s)
- tsuki with step through (s)
- 45° turn to left yokomen strike (se)
- lift bokken blade up into upper jo-like ready position
(se)
- kesa-gakae bounce up and into . . . (se)
- another kesa-gakae by turning 135° to the right (w)
- turn 45° to left and be in chudan-no-kamae (sw)
- slit opponent's throat, 225° to right, jodan-no-kamae
(e)
- shomen (e)
- 45° right, reverse kesa-gakae, step with left foot (se)
- kesa-gakae look to nw (se)
- turn 180° to left, strike yokomen (nw)
- reverse yokomen (nw)
- ski look to se (nw)
- turn 180° to right chudan-no-kamae (se)
- turn 90° left lifting blade into high guard (ne)
- reverse yokomen (ne)
- strike yokomen, udefuri-choyaku-undo 180° to left (sw)
- lift into high guard and (s)
- reverse yokomen (sw)
- yokomen and bounce into . . . (sw)
- 180° turn to left and then do the zig-zag cut (ne)
top
Bokken/Bokken
(kumitachi)
| Kumitachi
The kumitachi came originally from an old
sword school. They were modified to include the
concept of Aiki by the Founder, Professor
Morihei Ueshiba, who left them as a legacy.
There are many possible variations of the
kumitachi. The Founder, when he taught, called
these first attack and second attack variations.
These variations are naturally used with the ken
but are soon adapted to taijutsu. Consequently,
the kumitachi are considered to be the
personality of ken, jo, and taijutsu basic
techniques. If one does not have a good
understanding of suburi, it will be useless to
practice the kumitachi. If practice is done
everyday on the kumitachi and partner practices,
stability of the hips will not be attained, and
an important point of practice will be missed.
Therefore begin each practice session with the
suburi as shown in Volume I. Uchitachi
(Attacker) and Uketachi (Defender)
The kumitachi are not to be considered
competition. They are practices, and the
partners do not vie for an attacking or superior
position. It was said that one should be
uchitachi for 10 years before being allowed to
become uketachi. It was felt that this was the
proper way to learn.
Morihiro Saito |
|
First kumitachi
| Uketachi |
Uchitachi |
| Chudan no kamae |
Chudan no kamae |
| Jodan no kamae, right foot back |
|
| |
Slide step forward, then lower tip |
| Shomen cut with step (kiai) |
Cut obliquely up, bokken point to uke's
chest, step out with the left foot and bring up the
right |
| |
Gyaku yokomen |
| Guard (keep elbows close), right foot
back, tsuki |
|
| |
Right yokomen (kiai) |
| Defend by cutting down. Settle the hips,
tsuki attitude, left foot back |
|
As written in Saito's book.
| Uketachi |
Uchitachi |
| 1. Right hanmi |
Right hanmi |
| 2. Raise ken above head |
| 3-4. Take one step back with left foot and
strike down |
|
Cut obliquely up,extend the ken point to
uke's chest, step out with the left foot and bring up
the right. |
| 5. |
| 6. Defend by adopting the attitude of tsuki. |
|
Step forward with the left foot and
strike. |
| 7-9. Defend by cutting down. Settle the
hips and adopt the attitude of a tsuki. |
Strike again with renzoku uchikomi |
Second kumitachi
| Uketachi |
Uchitachi |
| Chudan no kamae |
Chudan no kamae |
| Jodan no kamae, right foot back |
|
| |
Slide step forward |
| Right yokomen with step (kiai) |
|
| |
Guard |
| Gyaku Yokomen |
|
| |
Guard, then tsuki without step (kiai) |
| Guard |
|
Of course Saito's description bears no resemblance.
| Uketachi |
Uchitachi |
| 1. Right hanmi |
Right hanmi |
| 2. During blending of ki, raise the
bokken overhead |
same as uketachi |
| 3-4. Defend by moving into hitoemi with
the left foot |
aim at the opponent's leg and strike
down |
| 5. Intending to cut the opponent's wrist,
raise the ken. |
| 6. step back with the right foot, adopt
hitoemi, parry his thrust, and aim the bokken
point at his throat |
|
Follow uke's ken briskly from below as
if raised and thrust with the left foot forward. |
| 7. |
Follow with a trust stepping with right
foot |
| 8. |
| 9. Defend by stepping back with the left
foot. |
|
Uchikomi. (Do not let the body cant at
this time). |
| 10. Hold the opponent's ken wodn with
your own |
|
| 11. |
| 12. When the thrust comes, step back with
right foot and adopt an attitude of tsuki. |
|
Do not resist uke's bokken, pass your
bokken under and thrust stepping forward with the left
foot. |
| 13. |
step off to the right parry the thrust |
| 14-15. Defend as if cutting down with
the bokken. (In practice step back with the left foot.) |
Finally, strike with a shomenuchi, |
Third kumitachi
| Uketachi |
Uchitachi |
| Chudan no kamae |
Chudan no kamae |
| Gyaku Yokomen |
|
| |
Guard |
| Low yokomen |
|
| |
Guard low |
| |
Flip bokken up and tsuki (no step) |
| Guard |
|
Of course Saito's description bears no resemblance.
| Uketachi |
Uchitachi |
| 1. Right hanmi |
Right hanmi |
| 2. Hold opponent's bokken down lightly |
| 3. |
|
Flow with uke's movement. |
| 4. |
| 5. Defend by stepping back with the right
foot. |
| 6. Point your bokken at opponent's centr
line. |
|
Step forward with the left foot to the
left and respond with an uchi komi. |
| 8-11. Defend in the position of hito e
mi. |
Strike again with renzoku uchikomi |
Fourth kumitachi
| Uketachi |
Uchitachi |
| Chudan no kamae |
Chudan no kamae |
| Slide step tsuki |
|
| |
Step off the line and slap bokken down |
| Retreat |
|
| Step through and tsuki |
|
| |
Guard, then push back to jodan |
| |
Yokomen |
| |
Guard |
Surprisingly, Saito's description follows until the last
exchange.
| Uketachi |
Uchitachi |
| 1. Right hanmi |
Right hanmi |
| 2-3. Step forward on the right foot and
tsuki. Move the left foot into the position of hito e
mi. |
Do a thrust |
| 4-5. Hold your opponent's bokken down. |
|
| 6-7. Stand in left hanmi and defend with
a tsuki. |
Without resisting, flow with uke's
movement, bring the bokken around up from below and
thrust (left hanmi) |
| 8-11. Step back with the left foot,
defend as if cutting down, and adopt the attitude of a
tsuki. |
Parry his thrust and do an uchikomi |
Fifth kumitachi
| Uketachi |
Uchitachi |
| Chudan no kamae |
Chudan no kamae |
| Jodan no kamae, right foot back |
|
| |
Slide step forward, then lower tip |
| Shomen cut with step (kiai) |
Cut obliquely up, bokken point to uke's
chest, step out with the left foot and bring up the
right |
| |
Gyaku yokomen |
| Guard (keep elbows close), right foot
back, tsuki |
|
| |
Right yokomen (kiai) |
| Guard high |
|
| Rotate clockwise |
Rotate clockwise |
| Low yokomen |
|
| |
Guard |
| |
High yokomen |
| Guard |
|
Saito's description is not too dissimilar.
| Uketachi |
Uchitachi |
| 1. Right hanmi |
Right hanmi |
| 2-4. Step widely to the left with the
left foot and strike down |
Shomen uchi komi |
|
|
Turn the body into left hanmi and
defend. |
| 7-8. Defend by stepping back with the
left foot. |
Uchi komi. |
| 9-10. Raise opponent's bokken and move
forward to grasp hi bokken. |
|
| 11-12. Move into left hanmi. |
Do not grasp his bokken but flow moving
to the opponent's back and strike his leg. |
| 13-14. Defend by stepping back with the
left foot. |
Uchi komi. |
Sixth kumitachi --- Ki Musubi no Tachi
Saito's description.
| Uketachi |
Uchitachi |
| 2-3. Blending ki, raise the bokken up
over the head breathing in deeply. |
Same movement as uke |
| 4-5. Lower bokken to your right side |
Same movement as uke |
| 6-7. Step forward with the right foot
and strike with shomen uchi. (Be sure to strike down
fully.) |
Shomen uchi komi |
| 8. Thrust as the opponent raises his bokken. |
| 9. Make a flowing strike to the left. Point
the bokken at your opponent for a thrust. |
|
Shomen uchi komi. |
| 11-12. From below, control your
opponent's wrist. |
In preparation for another strike, raise
the bokken up ove the head. |
| 13. Return to initial stance. |
Return to initial stance. |
top |